my tribute to 9/11, a song I wrote, One Day in September.
Vocals and rhythm guitar by Ed Bremson. Lead guitar by Jim Owen.
White Tea
This is a multi-purpose blog, one of which is to archive some of the poetry I have recently had published.
Wednesday, September 10, 2014
Friday, April 13, 2012
Two Poems from Tuck Magazine
Dinner Table Talk
A young poet once said that there’s
no real difference between death
by spear and death by nuclear bomb.
Both weapons “are just technology,”
and a death is just a death.
But the “survivors” of Hiroshima
might disagree, and many of them
might have wished someone with a
spear would come along and put
them sooner out of their misery.
Twitter 7/3/2011
Elise Blackwell
tweets an article
that mentions, in lines
from Nikola Madzirov,
“. . . the Earth was spinning on
God’s finger”
and I just have to ask
when the world ends,
where will God be
then?
then?
These two poems were first published online in the January 2012 issue of Tuckmagazine.com
Thursday, April 12, 2012
Pascal's Advice
All
the misfortunes of Man come from his inability
to
sit quietly in his room alone. – Blaise
Pascal
I
am an old man, and I am content to sit
alone
in my room. As a young man I never
really
believed I could feel this way, but I guess
I
had to live this long in order to reach this point.
Oh,
I spent time out in the world long ago,
and
like Dostoyevsky’s Underground Man,
when
I came back home I would beat the walls.
I
had so little then and desired so much. Now I
desire
nothing, consequently I am rich. And I can
sit
here alone, no longer having to make
other
people happy, only myself. Besides, they’re
all
gone – two wives, my
parents, all my friends –
and
there's no one else to please. Alone in my room
the
walls are my friends, the walls keep me safe, and I
no
longer beat them. It has taken me a long time to arrive
at
this place, but I’m glad that I’m finally able
to
take Pascal’s advice. Of course you can't close out
all
the problems of the world. Pascal was wrong about that.
But
if you can be content to sit in your room, you can
be
happy, and keep the sadness out, and that is everything.
published online November 2011 in the Longlist Anthology of the 2011 Montreal Prize
Two Haiku
These two haiku were published in the online Japanese journal Asahi Shimbun:
Midnight pond--
a frog leaps into
the New Year
http://www.asahi.com/english/haiku/111230.html December 30, 2011
First sunrise
an old friend I haven't seen
in years
http://www.asahi.com/english/haiku/120120.html January 20, 2012
Midnight pond--
a frog leaps into
the New Year
http://www.asahi.com/english/haiku/111230.html December 30, 2011
First sunrise
an old friend I haven't seen
in years
http://www.asahi.com/english/haiku/120120.html January 20, 2012
Thursday, March 1, 2012
The Sailor
Here is "The Sailor," a song I wrote and sang on my CD "One Day in September." Jim Owen is playing lead guitar. I play rhythm guitar and harmonica.
Thursday, November 24, 2011
Sunday, September 18, 2011
Two poems from my ebook Rothgeb Park
Rothgeb Park
I kissed a girl
one night
many springs ago
down in Rothgeb Park
unaware Crabtree Creek
flowed nearby.
The girl’s long since gone
and now that I’m old
I stand alone
here in Rothgeb Park
while Crabtree Creek
flows on and on.
Exile
I wonder what it’s like
in Rothgeb Park
in the summertime
when it’s too hot outside
for old men to breathe.
What kinds of flowers bloom?
What creatures are living
in the grass, in the trees,
and dying?
Do young lovers go there
at night to hold hands
and kiss in the dark
like they used to do
when I was young
in Rothgeb Park?
Tuesday, September 13, 2011
XVII
In the City of My Old Age
In the city
of my old age,
I love the wood
not the steel,
the stones
not the bricks,
the streets
littered with debris;
the bare limbs,
dead grass,
fallen leaves,
blue skies,
after the rain
has gone by,
when it’s chilly
and breezy outside,
that long, gray time
before spring arrives.
Down by the pond
the crabapple tree
did not green
this year,
did not purple,
did not red,
and now it stands,
bare futile fingers
upraised,
a winter tree
in the midst
of spring,
a station where
black birds
perch
and shit
and wait
with bloody
beaks.
On a cool day in the woods
I hear the woodpecker pecking,
my feet on dead leaves crunching,
breeze high in the trees blowing,
water over rocks flowing,
dogs in the distance barking,
birds on their branches singing,
squirrels all around me digging,
and myself as I’m gently breathing.
Then there’s countless crows a swarming,
with their loud, incessant screaming,
and that’s all I can hear for a long time –
so much for my tranquil outing.
Many things
have changed
in this old world
since the spring
when I was born,
but the redbud trees
still bloom magenta,
there are willows,
cherries and pears,
and I’m really glad
I learned to see them
before it’s my turn
to wither and die.
I am a happy old man
but it’s funny
how close
to the surface
the sadness is.
All it takes
is hearing
10cc’s
“I’m not in love,”
or E. L. O.’s
“Telephone Line”
to transport me
back to the 70s,
which were not
the best of times;
but then
at least no one
had died yet,
everything was
still possible,
nothing was
fucked up too bad,
and youth
was on
my side.